Los controles de la página están traducidos. Los títulos de las películas se mantienen tal como figuran en el catálogo. Los textos editoriales y las descripciones de las fuentes están en inglés.

← Volver a las películas

Drama

The Public Enemy

Duración
83 minMoMA 35mm presentation Fuentes de las versiones ↓

A Chicago street boy turns Prohibition crime into a career whose speed leaves loyalty and family behind.

Buscar una copia ↓ Antes de verla ↓

Búsqueda en Amazon.com · enlace de afiliado remunerado. Comprueba la edición y la región antes de comprar.

Idioma
English
TenseBleak Ideal para empezar · Fácil de ver Drama

Editado por Monocurator

A dark glass bottle tilts across orange, its paper label bearing the title.

Image: Monocurator · source · Original Monocurator artwork

The Public Enemy: Tom, the grapefruit and the ending

Tom Powers grows up alongside Matt Doyle, but his brother is Mike Powers. Matt joins him in crime; Mike challenges the life he has chosen. Those two relationships pull Tom toward different versions of belonging.

Tom PowersJames Cagney
The boy who becomes a bootlegger
Matt DoyleEdward Woods
Tom’s childhood friend and partner in crime
Mike PowersDonald Cook
Tom’s older brother, who rejects his criminal life

AFI’s cast and story record

Who is in the grapefruit scene?

Cagney’s Tom pushes half a grapefruit into the face of his girlfriend Kitty, played by Mae Clarke. Jean Harlow plays Gwen Allen, the woman Tom takes up with afterwards. The Library of Congress identifies Clarke in the scene; AFI distinguishes the two roles.

The smallness of the gesture matters. An ordinary breakfast becomes a display of power, with no change of room or elaborate preparation. Watch how quickly Tom makes his impatience somebody else’s humiliation. The same energy that makes Cagney command the screen becomes difficult to enjoy when it lands on the person sitting across from him.

What happens to Tom at the end? Ending spoilers

Tom survives the gunfight in which he takes revenge for Matt’s death. His rivals then abduct him from the hospital. The body delivered to his mother’s door is Tom’s: the apparent journey home has become the gang’s final act against him. AFI’s synopsis separates the hospital survival from the later abduction and killing.

That sequence changes the force of the last image. We have followed Tom through a world where he tries to dictate every encounter. At home, the consequences arrive for people whose lives he could never keep separate from his own. The gangster story ends on a family’s doorstep, making the cost of his rise impossible to leave in the street.

Qué esperar

William A. Wellman’s hard, economical staging and James Cagney’s volatile performance helped define the American gangster film. Its violence arrives in gestures and consequences as much as gunfire, giving the rise-and-fall structure a disturbing everyday energy.

Cómo entrar en la película

The opening childhood section establishes habits that the adult story accelerates. The named MoMA 35mm presentation runs 83 minutes; shorter historical lengths exist and are not treated as the same Version.

A tener en cuenta

Una breve nota no exhaustiva Includes organised crime, gun violence, murder, domestic abuse, misogyny, alcohol, a racial slur, and an abrupt image of a corpse.
Momo's Note Puede contener spoilers ¿Quién es Momo? → (Se abre en inglés)
Abrir la nota ↓ Cerrar la nota ↑

At first I feel the charge of Tom entering every room as if it belongs to him. Then the same impatience makes each person disposable. The final return home turns that swagger into an absence I cannot laugh away.

— Momo

Momo thinking about this film

Créditos y versiones

Mapa de versiones

MoMA 35mm presentation 83 min 83 minutes is attached only to this named presentation. No edition, score, territory, cut, frame rate, source element, or restoration detail is inferred. AFI records 74- and 83-minute lengths; 83 minutes applies only to the named MoMA 35mm presentation. Fuente: The Museum of Modern Art — The Public Enemy Referencia de duración · Comprobado el 2026-08-20

Fuentes de los datos

Por dónde seguir

¿Quieres que tu próxima película sea más suave, más corta o más extraña? Pídele a Momo algo parecido → (Se abre en inglés)
Momo está de turno. Visitar Momo Cinema → (Se abre en inglés)

Más clásicos de menos de 90 minutos → (Se abre en inglés) Más películas de 1931 → (Se abre en inglés) Más películas de William A. Wellman → (Se abre en inglés)

Seguir explorando el catálogo →