どんな作品か
Micheaux gives Paul Robeson contrasting roles and uses melodrama to examine charisma, faith, money, and respectability from within Black independent production. Its moral argument is inseparable from who controls the pulpit and the image.
無理なく楽しむために
Robeson plays both brothers. Use clothing, bearing, and behaviour to separate the preacher Isaiah from the inventor Sylvester, and watch how the community evaluates each performance of authority.
観る前の注意
簡単な補足（網羅的ではありません） Includes sexual assault, domestic abuse, murder, religious exploitation, alcohol, racist social conditions, and some damaged or incomplete surviving material.
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The same face carries two opposed claims to trust. I watch the community read gesture and voice, because the film knows that charisma can borrow the appearance of moral certainty.
— Momo
クレジットと版
版の見取り図
次の一本へ
次はもっと穏やかな作品、短い作品、それとも風変わりな作品？ 似た作品をMomoに相談する → (英語のページが開きます)
Momoはただいま勤務中。 Momo Cinemaへ → (英語のページが開きます)
