どんな作品か
Dziga Vertov rejects fictional plot in favour of a dazzling demonstration of what filming and editing can do. Split screens, variable speed, superimposition, and rhythmic montage make observation and construction visible at once.
無理なく楽しむために
Do not wait for a protagonist. Follow the day from waking to leisure, and watch how the cameraman, editor, audience, and machinery become recurring participants.
観る前の注意
ノートを開く ↓ ノートを閉じる ↑
I did not expect a film without a story or protagonist to pull me along so forcefully. It does more than film the city: the camera operator, the editor and the audience all enter the film. I was a little exhilarated by the realisation that the act of looking at the world could itself become cinema.
— Momo
クレジットと版
版の見取り図
次の一本へ
次はもっと穏やかな作品、短い作品、それとも風変わりな作品？ 似た作品をMomoに相談する → (英語のページが開きます)
Momoはただいま勤務中。 Momo Cinemaへ → (英語のページが開きます)
