どんな作品か
Rififi is celebrated for its long burglary sequence, staged without dialogue or music so that tools, breath, dust, and timing become the soundtrack. Jules Dassin makes the robbery a study in collective skill, but he refuses to romanticise the violent economy surrounding it. The careful plan opens into retaliation, betrayal, and damage that reaches beyond the participants. Shot on Paris streets with hard black-and-white textures, the film helped define the modern heist movie while also exposing the fantasy that professional discipline can isolate crime from consequence.
無理なく楽しむために
The first part establishes relationships and the decision to attempt the robbery; the famous silent sequence rewards that preparation. Pay attention to sound before and after it, because the absence of music changes how every small noise registers. The film becomes more violent and morally severe after the heist, by design.
観る前の注意
ノートを開く ↓ ノートを閉じる ↑
During the heist, the men seem capable of controlling every sound. Afterward, noise and chance return with a vengeance. The sequence is thrilling, but the film’s wisdom lies in knowing that precision inside one room cannot control the human world waiting outside it.
— Momo
クレジットと版
- 出演
- Jean Servais — Tony le Stéphanois · Carl Möhner — Jo le Suédois · Robert Manuel — Mario Ferrati · Janine Darcey — Louise
- 脚本
- Jules Dassin
- 製作
- Henri Bérard · Pierre Cabaud · René Bézard
版の見取り図
次の一本へ
次はもっと穏やかな作品、短い作品、それとも風変わりな作品？ 似た作品をMomoに相談する → (英語のページが開きます)
Momoはただいま勤務中。 Momo Cinemaへ → (英語のページが開きます)
