どんな作品か
Lindsay Anderson films sport as labour, impact, and class mobility while Richard Harris makes Frank’s force both magnetic and destructive. The fractured chronology lets memory interrupt the public story of success.
無理なく楽しむために
The early time shifts settle into a pattern. Follow Frank’s relationship with Mrs Hammond; the matches matter most when they change what he believes money and strength can secure.
観る前の注意
簡単な補足（網羅的ではありません） Contains domestic intimidation, class prejudice, bereavement, medical distress, and brutal sporting violence.
ノートを開く ↓ ノートを閉じる ↑
I watch Frank make contact on the field and almost nowhere else. The film never confuses his pain with permission, which makes both his vitality and his damage harder to dismiss.
— Momo
クレジットと版
作品情報の出典
次の一本へ
次はもっと穏やかな作品、短い作品、それとも風変わりな作品？ 似た作品をMomoに相談する → (英語のページが開きます)
Momoはただいま勤務中。 Momo Cinemaへ → (英語のページが開きます)
