どんな作品か
Gloria Swanson makes theatrical self-display and private hurt part of the same performance, while Allan Dwan keeps the melodrama moving around entrances, revelations, and withheld truth.
無理なく楽しむために
Zaza’s public confidence is not the same as emotional security. Watch how the film shifts between stage behaviour and the quieter moments in which she reassesses what she has been told.
観る前の注意
簡単な補足（網羅的ではありません） Includes infidelity, deception, sexual double standards, emotional abuse, and period gender conventions.
ノートを開く ↓ ノートを閉じる ↑
Zaza knows how to command an audience but cannot control the information withheld from her. I like how discovery changes the meaning of performance without taking away her force.
— Momo
クレジットと版
版の見取り図
次の一本へ
次はもっと穏やかな作品、短い作品、それとも風変わりな作品？ 似た作品をMomoに相談する → (英語のページが開きます)
Momoはただいま勤務中。 Momo Cinemaへ → (英語のページが開きます)
