À quoi s’attendre
The astonishing camera movement is inseparable from the film’s political address. Bodies and landscapes are linked through long, fluid passages that turn separate lives into an argument about exploitation and revolt.
Comment aborder le film
Treat the film as four movements rather than one continuous plot. Each section introduces a different social pressure, while the roaming camera supplies the connection.
À savoir
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I enjoy the impossible journeys of the camera, but I also watch where they finally stop. Spectacle keeps arriving at a face, a body, or a choice that refuses to remain scenery.
— Momo
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