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Drama

Persona

Durée
85 minSwedish 85-minute original length Sources des versions ↓

One woman stops speaking; another talks until identity starts to split.

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Langue
Swedish
StrangeBleak À garder pour plus tard · Pour les spectateurs patients Drama

Édité par Monocurator

Persona: Huge mirrored ivory lettering incorporates two opposing profiles against black and red.

Image: Monocurator · source · Original Monocurator artwork

Why does Persona repeat the same monologue?

Open after watching to follow Alma's repeated account of Elisabet's son.

Who is speaking, and whose face are we seeing? · Scene spoilers

Alma speaks both times: first we see Elisabet listening, then Alma speaking. Susan Sontag's 1967 scene account describes this order and the composite face that follows, made from half of each woman's face. The repeated account concerns Elisabet's relationship with her son; it is separate from Alma's earlier story about the beach.

Why keep both views? In Criterion's production notes, Abbey Lustgarten reports that the confrontation was filmed in full with the camera on each actor. Bergman intended to cut between the two views, then chose to let both play through. The repetition lets us attend separately to the woman hearing the account and the woman delivering it.

On another viewing, compare what looking at each face does to your response to the same story. The composite image invites a connection between the women without settling every question about their identities. It need not be treated as proof that they are literally one person.

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À quoi s’attendre

Persona treats a simple arrangement—a nurse caring for an actor who has stopped speaking—as material that cinema itself can no longer hold securely. Ingmar Bergman and cinematographer Sven Nykvist move between stark faces, soft coastal light, ruptured images, and moments that expose the film as a fragile object. Bibi Andersson’s flow of speech meets Liv Ullmann’s silence, and the balance of attention between them keeps changing. The film is influential not because it hides one correct solution, but because its form makes identity, performance, trust, and representation feel unstable at the same time.

Comment aborder le film

Do not approach Persona as a mystery with a final factual explanation. Start with the practical situation between Alma and Elisabet, then notice when the film makes that situation harder to trust. Images in the prologue and later visual ruptures work through association rather than conventional plot. It is fine to leave with competing interpretations; the tension between them is part of the experience.

À savoir

Une brève note non exhaustive Includes psychological distress, emotional manipulation, an explicit sexual account, abortion discussion, threatened violence, blood, disturbing war imagery, and an image of self-immolation.
Momo's Note Peut contenir des révélations sur l’intrigue Qui est Momo ? → (S’ouvre en anglais)
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Silence looks passive until the film shows how much power it can collect. Alma keeps offering language, memory, and confidence into a space that does not answer. I find the film most unsettling when listening begins to feel less like care and more like possession.

— Momo

Momo thinking about this film

Générique et versions

Générique
Distribution
Bibi Andersson — Nurse Alma · Liv Ullmann — Elisabet Vogler
Scénario
Ingmar Bergman
Photographie
Sven Nykvist

Carte des versions

Swedish 85-minute original length 85 min · original release · SE · 1966-10-18 The Ingmar Bergman Foundation records an original length of 85 minutes and the Stockholm premiere at that duration. Source : Ingmar Bergman Foundation — Persona (1966) Référence pour la durée · Vérifié le 2026-08-13

Sources des données

Pour regarder et lire

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