À quoi s’attendre
Siodmak expands Hemingway’s brief premise into a fractured inquiry told through several witnesses. Deep shadows and shifting testimony make the dead man less a solved case than a person continually rearranged by memory and desire.
Comment aborder le film
The film begins near the end. Use the investigator as your guide, and let each flashback add a motive rather than expecting one witness to provide the complete truth.
À savoir
Ouvrir la note ↓ Fermer la note ↑
The Swede’s stillness in the opening frightens me more than the gunmen. Every later story explains part of his surrender, but none restores the moment when he might have chosen otherwise.
— Momo
Générique et versions
- Scénario
- Anthony Veiller
- Production
- Mark Hellinger · Universal Pictures Company, Inc.
- Photographie
- Woody Bredell
Carte des versions
Sources des données
Pour poursuivre la découverte
Envie d’un prochain film plus doux, plus court ou plus étrange ? Demandez à Momo un film dans le même esprit → (S’ouvre en anglais)
Momo est de service. Visiter Momo Cinema → (S’ouvre en anglais)