À quoi s’attendre
Ugetsu joins a wartime tale of ambition to a ghost story whose beauty never separates from consequence. Two village men pursue wealth and martial status while their wives absorb the danger created by those dreams. Kenji Mizoguchi’s long, mobile takes connect work, travel, violence, seduction, and supernatural revelation without reducing the women to plot lessons. The lake crossing and Lady Wakasa’s world are among cinema’s most haunting passages, yet the film’s moral force returns repeatedly to labor and family. Its Venice recognition helped establish Mizoguchi internationally and influenced generations of filmmakers.
Comment aborder le film
The supernatural enters gradually, so let uncertainty remain rather than trying to identify the exact boundary between reality and ghost story. Track the two men’s ambitions separately and notice how the camera stays attentive to the work and displacement experienced by their wives. A restored print is especially valuable for the mist, water, and long movements.
À savoir
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The lake crossing feels suspended outside ordinary time, but the film never lets beauty cancel responsibility. Mizoguchi’s camera can glide toward fantasy and still remember the hands that shaped the pottery, tended the home, and paid for another person’s dream.
— Momo
Générique et versions
- Distribution
- Machiko Kyo · Masayuki Mori · Kinuyo Tanaka · Eitaro Ozawa
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Sources des données
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|---|---|
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