Aelita 1924

Aelita

1924 · Soviet Union · Directed by Yakov Protazanov · 80 min

StrangeRomantic Best saved for later · For patient viewers Silent film

Earthly jealousy and post-revolutionary hardship spill into an angular fantasy of Mars, revolution, and desire.

What to expect

Yakov Protazanov’s film places constructivist design and science-fiction spectacle beside a deliberately earthbound domestic plot. The friction between these worlds makes it more complicated than a simple revolutionary fantasy and established an enduring visual vocabulary for screen Mars.

How to ease in

Keep Los, Natasha, and Gusev anchored in the Moscow story before sorting the Martian court. The film frequently lets fantasy answer frustration, so not every cut to Mars carries equal reality.

Heads-up

A quick, non-exhaustive note Includes domestic violence, attempted murder, war memories, political propaganda, class caricature, and a narrative that deliberately blurs fantasy and action.
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Earthly jealousy and post-revolutionary hardship spill into an angular fantasy of Mars, revolution, and desire.

The Martian staircases look as if thought itself has become architecture. I enjoy their impossible angles, but the worn rooms on Earth keep tugging at me; escape is most revealing when it cannot quite forget the life it left.

Open the note ↓

The Martian staircases look as if thought itself has become architecture. I enjoy their impossible angles, but the worn rooms on Earth keep tugging at me; escape is most revealing when it cannot quite forget the life it left.

— Momo

Momo thinking about this film

Credits & versions

Version map

MoMA English-intertitle screening presentation80 min80 minutes is attached only to this named presentation. No edition, score, territory, cut, frame rate, source element, or restoration detail is inferred. Historical screenings and editions vary substantially in speed and length; 80 minutes applies only to the named MoMA English-intertitle screening.Runtime reference · Checked 2026-08-20

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