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Fantasy

The Thief of Bagdad

Year
1924
Director
Raoul Walsh
Length
154 minKino Lorber Photoplay Productions presentation Version sources ↓

A swaggering thief falls in love with a princess and must turn appetite, magic, and daring towards a purpose beyond himself.

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Language
English
BeautifulRomantic Great first watch · Easy Fantasy
Original illustration for The Thief of Bagdad: A soaring fictional palace rises from nested cobalt and pale-gold cut-paper arches; a small flying carpet curls through one arch in the distant upper sky.

Image: Monocurator · source · Original Monocurator artwork

What to expect

Raoul Walsh and Douglas Fairbanks build a fantasy around athletic movement, immense design, and effects that make impossible spaces feel playable. Its visual invention remains exhilarating, even as its imagined Asia depends on Orientalist stereotypes.

How to ease in

The first act establishes the thief’s appetite before the quest supplies direction. Enjoy the physical clarity of each trial while noticing how costume and setting turn many cultures into one Hollywood fantasy.

Heads-up

A quick, non-exhaustive note Includes Orientalist and racist stereotypes, yellowface casting, violence, enslavement, magical threat, and sexualised spectacle.
Momo's Note May contain spoilers Who is Momo? →
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I understand the temptation to surrender to the flying carpet. Then a face or costume reminds me who was allowed to author this dream. The wonder remains real, but for me it cannot float free of the frame that made it.

— Momo

Momo thinking about this film

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