À quoi s’attendre
Ernst Lubitsch turns deception into choreography: doors, glances, missing objects, and impeccably timed admissions keep changing who holds the advantage. The result is a romantic comedy whose polish never smothers its appetite for mischief.
Comment aborder le film
Let the first exchange teach you the film’s rules. People flirt by recognising one another’s tricks, so the plot becomes clearest when you follow who knows whose secret.
À savoir
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I love how quickly a stolen object becomes a love letter here. The film makes bad behaviour sparkle without pretending that trust is simple.
— Momo
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