À quoi s’attendre
The General builds comedy from physical logic: a train moves forward, a problem appears, and Buster Keaton solves it with an idea that creates the next problem. His calm expression makes the surrounding chaos even funnier. The large-scale chase remains easy to follow because every gag grows from space, machinery, and timing, giving the film the clean satisfaction of an elaborate device in motion.
Comment aborder le film
The Civil War setup is a frame for a remarkably clear chase. Track three things—the locomotive, the railway line, and who currently controls each—and the action will do the rest. Keaton rarely signals a joke with his face, so watch the practical setup around him. The pleasure comes from seeing a small solution become a much larger mechanical problem.
À savoir
Keaton looks happiest when a machine gives him a problem that can be measured. Wood, water, fire, and distance become comic partners, each perfectly serious about physics. I admire the scale, but the smallest reactions make it human: a quick calculation, a disappointed glance, a body already moving toward the next impossible repair.
— Momo
- Sean Axmaker discusses the paired railway chases and how track layout shapes a cannon gag. His essay connects the large locomotive setting with the film’s smaller comic moments. Sean Axmaker — The General (San Francisco Silent Film Festival)
Générique et versions
- Distribution
- Buster Keaton — Johnnie Gray · Marion Mack — Annabelle Lee
- Scénario
- Buster Keaton · Clyde Bruckman · Al Boasberg · Charles Smith
Carte des versions
Pour regarder et lire
| Action | Search destination |
|---|---|
| Watch | Check availability on JustWatch |
| Rent | Search rentals on Apple TV |
| Read | Search books on Bookshop.org |
U.S. search destinations · Links checked 2026-07-27 · Stock, editions, prices, and availability can change · Disclosure
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