どんな作品か
The Apartment carries the timing and wit of Billy Wilder’s comedies into a story shaped by loneliness, workplace power, and moral compromise. Jack Lemmon’s C. C. Baxter lends his apartment to executives conducting affairs, hoping access will accelerate his career. The arrangement becomes intolerable when Shirley MacLaine’s Fran Kubelik is revealed as more than an anonymous visitor. Wilder and I. A. L. Diamond balance sharp dialogue with visual ideas—the vast insurance office, a cracked mirror, a key passed between hands—that make systems of exploitation visible. Its romance works because decency must be chosen before it can be rewarded.
無理なく楽しむために
The film is funny, but its central crisis is serious and should not be treated as a temporary tonal detour. Watch the movement of keys, mirrors, and office cards; ordinary objects reveal who controls private space. Baxter’s growth is measured less by winning Fran than by refusing the structure that has benefited him.
観る前の注意
The apartment begins as borrowed space even when Baxter is alone inside it.
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The apartment begins as borrowed space even when Baxter is alone inside it. I like how the film slowly returns ownership through decisions rather than possessions. A key can serve a career, permit harm, or finally close a door; the object changes when the person does.
— Momo
- Baxter lends his key for career advantage, later cares for Fran after her overdose, and finally refuses Sheldrake another use of the apartment. AFI Catalog
クレジットと版
- 製作
- Billy Wilder · The Mirisch Company, Inc.
版の見取り図
観る・読むための案内
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